When Caesar emerges, his expressive face displays the sheer depth of technological possibilities that Serkis mines better than any other working actor today, and the astonishment on the faces of the human prisoners speaks for all of us.Ī now-legendary figure, Caesar continues to rule his tribe with a stern commitment to survival at all costs. The breathlessly paced montage of flying bullets and angry monkeys raining down on terrified men, aided by Michael Giacchino’s vibrant score, is a strong indicator of the next-level craftsmanship that distinguishes these movies from so many cacophonous Hollywood spectacles not only is the action easy to follow, but you care for the motion-captured characters at the center of it, while the humans cower in fear. Koba’s gone, but many of his followers now work in the employ of a nearby military encampment lorded over by the maniacal Colonel (Woody Harrelson), whose men launch a deadly assault on Caesar’s hideaway in the bracing opener. Flanked by noble orangutan Maurice (Karin Konoval) along with his wife Cornelia (Judy Greer) and his youngest son Cornelius (Devyn Dalton), Caesar’s still reeling from the deadly showdown with the militant ape Koba that closed the last film.
Once again, evolved chimp Caesar (Andy Serkis) lords over his family and the rest of their clan, which holes up in the wilderness under constant threat from a dwindling population of humans. READ MORE: Awards Season Gets a Summer Start With Strong Contenders Like ‘War For the Planet of the Apes’ and ‘The Big Sick’īack in 2011, “Rise of the Planet of the Apes” rediscovered potential in the material by envisioning an eerie medical thriller prequel, and the scope has undergone a remarkable transformation in the ensuing years, making the post-apocalyptic backdrop increasingly more pronounced.
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It’s a given that an expensive 21st century sci-fi movie with talking animals, exploding tanks, and jarring machine guns would look and sound great, but Reeves applies these effects with such a measured strategy that they’re always working in service of a greater narrative agenda. The second entry directed by Matt Reeves following 2014’s “Dawn of the Planet of the Apes,” the dynamic finale continues Reeves’ ability to transform the man-versus-simian premise into a fiery war movie, but finds a way toward a related genre in the process - the prison escape drama. But insofar as the premise is concerned, it catapults beyonds the cheesy nature of the material to deliver a serious, gripping big screen achievement elevated by astonishing special effects and filmmaking prowess to match.
That’s not to say the movie’s a flawless achievement, devoid of ham-fisted dialogue or predictable plot twists that often hobble movies designed for mass market appeal. With “ War for the Planet of the Apes,” technological wizardry and first-rate storytelling combine into a bracing action-adventure that concludes the best science fiction trilogy since the original trio of “Star Wars” movies. Rebooted franchises reek of cheap Hollywood cash grabs, but in light of those expectations, the refurbished “Planet of the Apes” franchise pulls off a minor miracle.
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